Filamu za Hood : Tofauti kati ya masahihisho

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'''Filamu za Hood''' (kutoka [[Kiing.Kiingereza]]: '''Hood film''') ni aina ya [[filamu]] yenye [[asili]] ya [[Marekani]] hasa mwishoni mwa [[miaka ya 1980]] na mwanzoni mwa [[miaka ya 1990]]. Ndani yake uhusishahuhusisha hasa mambo ya [[Mji|mjini]] kama vile [[muziki]] wa [[hip hop]], [[wahuni wa mtaani]], [[ubaguzi wa rangi]], [[umaskini]], na matatizo ya [[Wamarekani Weusi]] hasa [[vijana]] jinsi wanavyopata shida na [[jamii]] ya [[Mzungu|Kizungu]]. Filamu za namna hiihiyo uhusishahuhusisha hasa [[waigizaji]] wa [[Wamarekani Weusi|Kiafrika-Kiamerika]].
 
Mfano halisi wa filamu za aina hii ni kama vile ''[[Boyz n the Hood]]'' na ''[[Menace II Society]]'', ambazo mtindo wake wa [[hadithi]] almanusura iupe umaarufu kupindukia mchezo huu. Mwanzoni mwa miaka ya 1996, lakini, filamu za hoodHood zilionekana kama chombo cha watengenezaji filamu weusi kinachohaha kukwepa utofuatitofuati baianabayana ya ufananisho wa filamu za Kizungu.
Mtindo huu pia ulikuja kugezewa tena na filamu kama vile ''[[Don't Be a Menace to South Central While Drinking Your Juice in the Hood]]''.
 
Filamu za Kiingereza za mtindo huu nazo zilipata kufanywa, kama vile ''[[Bullet Boy]]''. Filamu za [[Kifaranza]] za mtindo huo nazo zimefanya, ''[[La Haine]]'', ''[[Ma 6-T va crack-er]]'', ''[[Yamakasi]]'' na ''[[Banlieue 13]]'' nazo ni mifano ya mtindo huu.
 
[[John Singleton]], [[Mario Van Peebles]], [[Hughes Brothers]], na [[Spike Lee]] ni mifano tosha ya [[waongozaji wa filamu]] za namna hii.
 
[[Insha]] kadha wa kadha ziliandikwa kuhusu mtindo huu na Paula J. Massood, ambaye kwa sasa ni [[mwalimu]] katika [[Brooklyn College]].<ref name="Forman">{{cite book
|title=The 'Hood Comes First: race, space, and place in rap and hip-hop
|author=Murray Forman
|year=2002
|publisher=[[Wesleyan University]] Press}}</ref>

Mwaka wa 1992 insha kuhusu masuala ya uigizaji wa [[sinema]], mchambuzomchambuzi wa Kikanada [[Rinaldo Walcott]] umegunduaamegundua msingi wa filamu za hoodHood ni kutaka kuonesha ujanadume, au kurudisha [[heshima]] ya [[utu]] wa mtu mweusi".<ref name="Working">{{cite book
|url=http://books.google.com/books?vid=ISBN0802093884&id=S04JUEA3FnsC&pg=PA247&lpg=PA247&ots=46rh9mgpWM&dq=hood.film&sig=8YgAp-tKRCranf7nJWzzG5Iv1Wg#PPA247,M1
|title=Working on Screen: Representations of the Working Class in Canadian Cinema
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*[http://www.findarticles.com/p/articles/mi_m2838/is_2_35/ai_77828281 Which Way to the Promised Land?: Spike Lee's Clockers and the Legacy of the African American City], Paula J. Massood, ''African American Review'', Summer 2001
*[http://www.blackfilm.com/20060428/features/loweringthebar.shtml Lowering the bar: State of black film at the moment], by the Unknown Film Critic; defines hood film as one of three predominant subgenres of African-American film
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[[Jamii:Filamu za Hood]]
[[Jamii:AinaWamarekani za filamuWeusi]]
[[Jamii:Utamaduni wa Wamarekani Weusi]]
 
 
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