Vikta wa Capua

Vikta wa Capua (alifariki Capua, Campania, Italia, 2 Aprili 554) alikuwa askofu wa mji huo kuanzia mwaka 541 akimfuata Jermano wa Capua^[1].

Mwenye elimu kubwa, aliandika vitabu mbalimbali kuhusu Biblia na liturujia, lakini zimetufikia sehemu tu^[2].

Tangu kale anaheshimiwa na Kanisa Katoliki na Waorthodoksi kama mtakatifu.

Sikukuu yake huadhimishwa tarehe ya kifo chake^[3].

Tazama pia

Tanbihi

↑ http://www.santiebeati.it/dettaglio/48215
↑
His best-known work is the Codex Fuldensis, one of the most ancient manuscripts of the Vulgate, prepared under his direction, and which he himself revised and corrected. In this codex the place of the Four Gospels is taken by a harmony of the Gospels, or as he himself terms it in the preface, a single Gospel composed from the four. Victor was not certain that the harmony he used was identical with the Diatesseron of Tatian. The discovery of the text of the latter work and recent investigation have made it clear that this Latin harmony used by Victor was drawn up about A.D. 500. The anonymous author of this work simply substituted the Latin of St. Jerome's Vulgate for the Greek of Tatian, and at times changed the order or inserted additional passages. Many of the discrepancies may be due however to subsequent changes. Other works by Victor were:
- "De cyclo paschali" written about 550 in refutation of the "Cursus paschalis" of Victorius. Only a few fragments of this work have survived (Patrologia Latina, LXVIII, 1097–98; Jean Baptiste François Pitra, "Spic. Solesm.", I, 296)
- commentaries on the Old and New Testament, for the most part catenae of quotations from the Greek exegetes
- "Libelius reticulus seu de arca Noe" (Pitra, "Spic. Solesm.", I, 287), containing an ingenious allegorical computation showing that the dimensions of the ark typified the years of Christ's earthly life
- "Capitula de resurrectione Domini" dealt with some of the chief difficulties regarding Christ's genealogy and the hour of the Crucifixion as recorded in the Evangelists.
↑ Martyrologium Romanum

Marejeo

Ferdinando Ughelli, Italia sacra, VI, 306
Jean Baptiste Francois Pitra, Spicilegium solesmense, I (Paris, 1852), p. 1 sq., 265 sq., 287, 296
Theodor Zahn, Forschungen zur Geschichte des neutestamentlichen Kanons, II, 535
Otto Bardenhewer (translator Thomas J. Shahan), Patrology, p. 628.

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[1] ttp://www.santiebeati.it/dettaglio/48215

[2] His best-known work is the Codex Fuldensis, one of the most ancient manuscripts of the Vulgate, prepared under his direction, and which he himself revised and corrected. In this codex the place of the Four Gospels is taken by a harmony of the Gospels, or as he himself terms it in the preface, a single Gospel composed from the four. Victor was not certain that the harmony he used was identical with the Diatesseron of Tatian. The discovery of the text of the latter work and recent investigation have made it clear that this Latin harmony used by Victor was drawn up about A.D. 500. The anonymous author of this work simply substituted the Latin of St. Jerome's Vulgate for the Greek of Tatian, and at times changed the order or inserted additional passages. Many of the discrepancies may be due however to subsequent changes. Other works by Victor were:
"De cyclo paschali" written about 550 in refutation of the "Cursus paschalis" of Victorius. Only a few fragments of this work have survived (Patrologia Latina, LXVIII, 1097–98; Jean Baptiste François Pitra, "Spic. Solesm.", I, 296)

commentaries on the Old and New Testament, for the most part catenae of quotations from the Greek exegetes

"Libelius reticulus seu de arca Noe" (Pitra, "Spic. Solesm.", I, 287), containing an ingenious allegorical computation showing that the dimensions of the ark typified the years of Christ's earthly life

"Capitula de resurrectione Domini" dealt with some of the chief difficulties regarding Christ's genealogy and the hour of the Crucifixion as recorded in the Evangelists.

[3] "De cyclo paschali" written about 550 in refutation of the "Cursus paschalis" of Victorius. Only a few fragments of this work have survived (Patrologia Latina, LXVIII, 1097–98; Jean Baptiste François Pitra, "Spic. Solesm.", I, 296)

[4] taries on the Old and New Testament, for the most part catenae of quotations from the Greek exegetes

[5] "Libelius reticulus seu de arca Noe" (Pitra, "Spic. Solesm.", I, 287), containing an ingenious allegorical computation showing that the dimensions of the ark typified the years of Christ's earthly life

[6] "Capitula de resurrectione Domini" dealt with some of the chief difficulties regarding Christ's genealogy and the hour of the Crucifixion as recorded in the Evangelists.

[3] Martyrologium Romanum

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[2]

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